Showing posts with label blak girls. Show all posts
Showing posts with label blak girls. Show all posts

Monday, February 3, 2014

My Top 13 of 2013: For those with a short attention span!



As you know I always write a stupid long Year End Review, but for those of you who have lost your desire to read I have compiled My Top 13 of 2013.  So check it out and if you are curious about more you and always check out the entire 2013 Year End Review: Musicga!  Thank you for sharing the year with me. Big things ahead!

love,
Shelley

My Top 13 of 2013

1. I wrote over 356 Haikus! (I will post some soon!)

2. Attuned two more students to Reiki!

3. Was featured on the Sony Christmas R&B Hits Compilation.

4. Rocked Michfest with my rendition of "Invincible" by Pat Benatar.

5. Played Mamapalooza and Pussypaolooza.

6. Hosted two blaKbüshe Wellness Days.

7. Shot a video with Rebellum for "Heart Seed."

8. Taught lots of yoga and hosted a yoga workshop/show with M'Balia (MB) in Philadelphia.

9. Wrote and directed my first comedy sketch with American Candy.

10. Was part of the "Medusa/Asudem" video with Kelly Horrigan and Lee Free.

11. Played at BAM Café two times (blaKbüshe and American Candy).

12. Debuted Phellatio Gonzalez feat. Jeff Jeudy, Jerome Jordan, V. Jeffery Smith, Matsu, Akie Bermiss, Sharief Hobley, Shawn Banks and special guest Garrett Shider, Jr.

13. "blaK Girls" is featured in the independent film Homecoming directed by Eugene Ashe.


Click HERE to Read the full 
2013 Year End Review: Musicga!


Monday, September 9, 2013

Afropunk: Put Down the Hate (Part 1)





As most of you know I performed at Afropunk After Dark on the Friday night of the festival [August 24th]. I have to admit I was a little taken aback when I got the invitation. Not because I didn’t think I should be there, but because I have had a long standing internal beef with the festival. I know the question is why? Well, that is another story, but this is the story of how I had a change of heart. I’ll go back and give you the whole rundown as I usually do.


Trevor Gale is my SESAC rep. For those of you who are not familiar with SESAC or what it is, it’s a performing rights organization much like ASCAP and BMI, but dare I say, better, and that is my very bias opinion. Trevor is not only my SESAC rep., but he also happens to be Nona Hendryx’s drummer and one of the best people I know. That’s kind of funny to say in a way because I only know him in one or two capacities, but in those two, he’s really one of the best. I had been trying to get in touch with Trevor for what felt like all year up until the point where I finally ran into him at Summerstage in July when Nona was playing a show with Toshi Reagon and Sandra St. Victor in honor of Sekou Sundiata. Anyway, when I saw him there he told me to call him the following week. I did and we finally were able to make an appointment to meet in person.

August 1st, the same day I was supposed to go see the postponed then later cancelled D’Angelo show at Williamsburg Park, I went to SESAC to see Trevor. We talked about a lot of things, but at the end of it all he asked me if I would be a part of a SESAC/Afropunk After Dark showcase. When he asked me, I have to also admit I was hesitant. Not because I didn’t think it would be cool, but as I said, I have all kinds of “feelings” about the festival. But as I also mentioned, I respect Trevor way more than the negative voices in my head so I said yes. Why the hell not?! He told me he would get me all the details before I left for Michfest. Cool!

For those of you who didn’t check out the Afropunk site, there were a whole slew of events this year called Afropunk After Dark. Honestly looking at the After Dark lineup made me more excited than the Afropunk lineup, but again that is coming from a very “special” place that I’ll get to in a moment.

I left for Michfest, came back and started to promote for the Afropunk show. During the week Olivia, Trevor’s assistant asked me if I, or any of my band members wanted to go the festival. There was some sort of VIP situation going on. We all declined and kept it moving. I knew I wasn’t going to the festival before performing that night and also I wasn’t really interested. Moving right along. [Can you feel the hate? LOL]

On Saturday I got up in the morning and taught yoga class, got my hair cut and then headed back home to just chill until it was time to head to the spot for soundcheck. Now let me tell you about the spot.

We played at a joint called Putnam’s Pub. When I Googled the spot I was taken aback that it was on the corner of Myrtle & Clinton Avenues. Why? When I first moved to Brooklyn I lived on Clinton Avenue right down the street from that corner; the same corner that was kind of dangerous and had seen its share of police tape. A corner that was my local bodega and right next door was a little bar type hole in the wall. Next to that was the Crab Inn and next to that the liquor store and...well...you get my point. It was the hood. A changing hood, but still the hood. My, my, my have things changed.

The spot was cool and we had a little corner near the bar to do our thing. Stephanie was there to assist with sound and after a bit of a delay with Shea Rose our first act getting stuck in traffic, we were off and running.

Shea kicked things off and did a really cool set of originals and a cover. She also did a song she performed with Nona and Terri Lynn Carrington. A cool spin on Nona’s “Transformation.” She came with a full and and did her thing!

Shea Rose & her band


After Shea was Adam Falcon. I can’t remember exactly when or where I met Adam, but he’s been down with the BRC crew and the music scene around NYC as long as I’ve been here. Also Adam and I are two of the many people in the Electric Purgatory documentary. He did a guitar and vocals set that night that was amazing! He was so good that Matsu jumped on cajon to help him out for the last song of the set!

Adam Falcon & Matsu


We were up next and by that time I was more than ready to go. Shea had started things off with the girl power so Jeff, Matsu and I continued that vibe by jumping things off with “blaK Girls.” I think I’m always a little surprised at how much that song always goes over. It really is an anthem waiting for the world to hear. Hopefully that will happen sooner than later. I played bass on that joint, which I hadn’t done in a while and I could feel it. I really need to give my girl more love. She really is good to me.

In the dark corner of Putnam's Pub: Me, Jeff & Matsu

Staying in girl power mode we moved right into “Punanny Politixxx.” This song is tuning out to be another crowd pleaser. I really love that! I love hearing people sing the word “punanny.” For some reason it does my heart good.

Staying on the political front we moved into “I Am American.” I played bass on this too and folks were with it all.

Up next was “In Your View.” That song has so much fire that people started called for one more before they even knew that there actually was one more. LOL!  Shawn, my percussionist, wasn’t on the gig that night, but he was in the house. So he took my tambourine from me and helped out on the song, which was great.

We closed the night with “Power on the Floor.” That song is turning into one of my favorites as well. When the set was over a couple of folks came up to talk to me. I stood with one woman who was so moved that she was in tears as she spoke to me. I’m not mentioning this for any ego purposes because honestly I was shocked. I don’t think I showed it, but in my mind I was really moved that she was moved. That’s all I’m really trying to do out here. I’m just trying to move people. Whether it be your heart, soul or ass, I’m just trying to make something move. So give thanks that the energy I put forth that night was able to bring tears of joy and fortitude. It helps me to keep in mind that I’m on the right path on those days when I feel like giving up or shutting things down. Yes I have those days too.

Me w/ Greg Tate, Debbe Cole, Adam Falcon, Akili Walker & Trevor Gale

As I was getting ready to go home a couple of women who were at the spot earlier came back around the corner. I was so glad because I was able to get them on the mailing list and have a chat with them, which was cool.

It was a really wonderful SESAC/Afropunk After Dark night. In fact the night was so good that I decided to put down the hate and go to the festival the next day. Yes I put down the hate. LOL! As I stated above, I have so many feelings about that festival, but I just said to myself, “Shelley, go be a fan for one day. Go see the bands you love and learn about some new ones. Just go. Skip the VIP. Skip all that and just go take in some music.” So that’s what I did.

Afropunk: Put Down the Hate (Part 2)


Thursday, May 9, 2013

Get Up! March BAM Show Recap


Photo by Jose Ivey

 I know it’s been over a month since the BAM show, but the wheels just keep on turning. Meaning, it can be challenging to find a spot in the day to write. Then before you know it a month has gone by. Of course I could have just posted some photos and let you all gaze upon them until I had time to write, but of course since I’m just sitting down to update you all, I just thought of that. SMH Well, that’s life, but I have to admit it’s pretty good.

The week of the BAM show was packed. I started off with a warm up show at RockbarNYC for Rick’s b’earthday. Rick is one of the owners of the bar and after seeing the band play there in November, he asked us to return for his 50th b’earthday extravaganza, Mamapalooza. The hairs in the büshe that night were Jeff, Matsu, Ganessa and I. Well, what I thought would be a good show, turned out to be a powerhouse show. Dare I say one of the best shows we’ve ever done. The four-piece was rockin’ for real and some kind of magic happened that night. I sang “Punanny Politixxx” during the set and got at least one republican to fall in love me. Now that’s pretty good considering the lyrical content. LOL!

The rest of the week was packed with rehearsals and outfit shopping and yoga classes. I was non-stop up to the day of the show. I think I got my hair cut Saturday morning and that was all I did that day besides perform. My haircut was the most chill time I had all week.

I decided to drop in a few new songs at the BAM show. One song was so new, that it wasn’t all the way finished, but I wanted to test the waters so to speak. The other songs weren’t totally new, but many people in the audience had never heard them before. Then of course there are those people who come to BAM every weekend because it’s free live music, who I know had never seen me before. So for them it was all new. You have to play for everyone and that’s what I do all the time. To me it doesn’t matter if you have heard the songs a million times or if I have played them as many times, I aim to make it feel new every time.

BAM Jumbotron/Outside of venue

Soundcheck went kind of slowly so we were kind of late getting upstairs to change, eat, etc. I was hoping to eat before the show, but I did not. Sadly that’s not the first time that has happened. I really can’t eat a whole lot before a show anyway, but I was looking forward to it. Oh well. On the up side, Risha did some awesome makeup for me. It was totally a Black Swan look for the night and I love Black Swan! Who knew it would be like that? I really loved it.

The show was supposed to start at 9pm sharp, but I wasn’t done with everything until about 9:10 or 9:15. Michele the production coordinator swooped me downstairs and then we hit the stage.
I know that folks said they were coming, but I’m still a little surprised when I see so many people. I know the show was free, but I’m not going to say that’s the only reason why the place was packed. I know it might sound strange coming from me, but I was saying that for a while. Kind of playing it down, but I’m not doing that anymore. As a friend said, “Shelley you sure do know how to sell out a free show!” LOL! I do indeed.

I did something this time with the set list I have never done before. I opened with “Go Head & Rise.” This has been my closing song for years and for good reason. It’s a huge number that people really get up for at the end of the show. It screams closer. But it was time to move the song over and make way for some new babies.

Photo by Jose Ivey

Back in the early days of the band I would close my show with “Release,” also a huge number. But when I wrote “Rise,” “Release” was moved to the top. It worked then so I thought I would try it again. Especially for those folks who have been to see me a bunch of times, I knew it would a switch to hear the song at the top.

After releasing that steamroller to open things up, we moved right into “Out of My Mind” without a break. That one I dedicated to my girl Hollie since she really loves that song. I’m also realizing that lot of people really love that song and I really love that song too if I do say so myself.

Photo by Patranila Jefferson

We took a short break after “Out of My Mind” to get a little sexy with “Give it to Me” and then we kept talking about the coochie, well at least the hot topic of who should be minding the coochie on “Punanny Politixxx.” That was a whole lot of fun. I know folks weren’t sure where I was going when I asked them to sing, “Stop playing politics with my punanny,” but soon everyone was on board. Even the men!

After that I dropped the brand new joint I mentioned above. As I said, the song isn’t finished, but I wanted to give it a twirl. Tentatively the song is called “Today is My Day,” but since it’s not all the way done, we dropped a bit of D’Angelo’s “Greatdayinthemornin’” in the middle. All the real D’Angelo heads got it. I think it went over the head of others, but people seemed to enjoy it. If you were there, do you remember? Have any feedback?

Photo by Patranila Jefferson

We rolled right out of “Today is My Day” into “I Am American” without a break. This is another crowd favorite and always a lot of fun to sing with the folks. Next stop, “In Your View.” Although we don’t close with this song, this is honestly my favorite joint at this time. I can’t wait to record this song. I can’t wait!

Finally we closed with “Power on the Floor” another sort of new one. I did it at DROM in November for the first time and it saw some light at Rockbar, but tonight I had a whole crowd to play with so it was really time for church. I’m really excited about this song too. The chorus of the song says, “If you recognize you’re on the ground/then you can get up!” The folks at BAM were really feeling it and the two young girls in the front sitting on the floor were the first people to get up! So I told the folks, “If the babies can stand up, then you got to get up!” Folks stood up and were dancing and chanting and it was beautiful.

Photo by Sara Zuiderveen
We came back for an encore with our #1 hit in Asia… No not really. But “blak Girls” is a hit. I don’t think I can really get away with not doing it in a show. It is the anthem for all kinds of women and I love when the boys sing it too.

Photo by Al Santana
This last run at BAM was great. I sold out of panties (yes I had panties) and even moved some of these good old CDs. I am really starting to feel like myself again. I am starting to see the light again. I’m starting to feel light again. It’s been a long two years, but I’m starting to talk about recording again…Finally. I’m not going to make any big declarations about when you will see the next album. I’m not going to give you any titles or special guest names. I’m not going to give you any specific info, but I will say this. The wheel is turning. The road has been bumpy, but the wheel is turning. Thank Goddess the wheel is turning. [Insert church style organ and walking bass! *wink*]

Hairs in the bushe @ BAM 
Shelley Nicole - Lead Vox
Jerome Jordan - Lead Guitar
Jeff Jeudy - Rhythm Guitar
Matsu - Drums
Ganessa James - Bass
Shawn Banks - Percussion
V. Jeffery Smith - Horns
Achuziam Maha-Sanchez - BG Vox
Ki Ki Hawkins - BG Vox

Photo by Sara Zuiderveen

Wednesday, September 14, 2011

Michfest 2011 Wrap Up - This is Called the Show

There I am in the center. Pre-haircut!

Usually I give a FULL 7-day wrap up of the entire Michigan Womyn’s Music Festival. I really love doing that to give folks who have never been and people who will never get a chance to go (men) a real feel for the festival. But so many things happened in my life post Fest and now we are over a month out from when it all went down. I am still going to give you the full blow by blow of my show, but I’m just going to hit you with the music highlights from the rest of the week. So let’s start where it has begun for the last two years. Road Trip!

Monday August 1st
This year’s Michfest road crew was Toshi, Achuziam and I. Of course we tried to leave Brooklyn at around 6am, but it wasn’t happening. I got up early that morning and picked up Achuziam and then we headed to Toshi. This was a really special trip for Chuz because it was her first time away from her son and the first time she would be hitting the stage in almost two years. When we got to Toshi’s we were going to load the car and go, but her dog was not having it. What I mean is the dog wasn’t trying to go to the bathroom before we left. I swear animals know when we are leaving and try to slow things down. Finally the dog went and we were able to go as well. LOL!

It’s always great being on the road with Toshi and just driving to Michigan in general. We did our usual Panera Bread stop and also drove through a storm. We were sort of caravanning with my girl Laura who would call us from the road every now and then. She was my fest guest so I knew I would be seeing her soon. She left from New Jersey so she was a little ahead of us.

When we finally got to Hart, MI, which near the land, we dropped Chuz at the motel and then Toshi and I headed to the land. Luckily we got there right before they were going to close the gate for the night. I was so thankful that the ladies at the fest had put up my tent for me. I sent it ahead with my girl Kelly as I had last year. They set up Laura’s tent right next to mine and when Ki Ki and Ganessa arrived they would be right in the area too. LaFrae and Alex arrived on Sunday so they were already settled in. Ah, gang’s almost all here! Vicki was in and I think Julie had arrived as well. Ganessa and Ki Ki would be there the next day.

After I got all checked in, a lovely young lady named Thokozani helped me to my tent. Turns out she lives in Brooklyn too. Brooklyn is so deep at the festival. Of course Mariasha and Tina were in the house. Along with BE, Penny and the whole crew! Welcome Home! Yes Welcome Home!

Tuesday August 2nd
I had to jump right in to work because my set was on opening night, which was the next day. I had rehearsal that day and I also had a secret meeting with the ladies of LAVA. For those of you who don’t know, LAVA is an acrobatic dance company in Brooklyn that I love! I had a crazy idea to incorporate them in to my show, but I wasn’t sure how. This is one of the many reasons why Michfest is so magical. There are so many creative and wonderful people on the land that you can make almost anything happen if you just make a call or send an email before you get there. That’s how I got Julie Wolf on my set, but that’s for another part of the story.

Tuesday was an interesting day. It always rains at Michfest. You don’t know what day it’s going to be, but it will happen. Trust! This year’s rain date was Tuesday and it was nothing nice. I just knew that Ganessa and Ki Ki’s flight were going to be delayed but somehow they got there. Tuesday was also the only full band rehearseal that we were going to have. Before we got to the land Ganessa, Lafrea, Alex, Ki Ki, Chuz and I had been rehearsing. The only missing pieces were Vicki and Julie. We had one shot to pull it all together. I knew it was going to be fine, but rehearsal was only 2 hours so we had to make the most of it.

Before reheasrsal I got together with the ladies of LAVA to figure out my entrance for the show the next night. After brainstorming a bit we came up with and idea. The women at the main stage were trying to get everything going to do their own work for the day, but the rain was slowing them down. I wasn’t sure if we would be able to rehearse at the main stage because it was raining, but it slowed just long enough to give us a change to run through our grand entrance. After a few tries it seemed like it was going to work!

Now back to rehearsal. It went amazing! I mean really really amazing! I was so happy. I really wanted to just kiss them all and I’m sure none of them would have minded, but I had to keep it professional. LOL!

Rehearsal Tent
On Tuesday night the rain came down in sheets. My tent leaked again! It was a mess. I spent much of the storm in Central Heating, where they check in the artist and also doubles as a Green Room of sorts. I was in there with a few other folks at the storm raged on. The thunder and lightening was so amazing. I love being outside during a storm. It’s actually one of the things I love most about Michigan.

This year the lightening was really close to home. It struck a tree on the land near the Womyn of Color Tent and split. Luckily no one was hurt. At some point, after getting some extra towels to soak up the water in my tent from Lisa, I went back to my tent to ride it out. Finally sleep took over and I was well on my way to Wednesday.


Wednesday August 3rd
I woke that morning to no electricity. I had a sound check scheduled for 8:45am, but that was not going to happen. Also no electric, meant no water. That meant no one could take a shower that morning. So as Elvira Kurt said, we were camping for real. LOL! Of course I wasn’t the only one who needed to soundcheck, I was just first because I was headlining that night. As the time passed and the check time kept being pushed back other deals were being struck.

Jill Sobule was playing right before me and I have to tell you as I told her, I had no idea who she was. Turns out she sang the original “I Kissed a Girl” before Katy Perry was a twinkle in your eye. Yes I know the songs are different, but you get my point. It was great to meet her. At some point during the day she heard my ladies playing and thought it was be a great idea to have some of them on her set. So what started out as just LaFrae and Ganessa on her set, turned into Alex, LaFrae and Ganessa. So that was my rhythm section, but it was all cool.

Finally when the electric and water came back on we were ready to rock this sound check. I can’t remember if at this point I checked or if Jill checked or if the Opening Ceremonies people went, but I do know that it all got done. Big ups to Connie who I believe is the best stage manager in the world!

After all the checks were done I went back to my tent and chilled until it was time for the show. I’m sure I ate somewhere in there, but I just tried to stay quiet and relax myself until it was time to go.

I don’t usually get nervous until right before I hit the stage, but I was nervous. It’s a big deal to headline Michfest and to do it on Opening Night especially with this being my first time on Night Stage. For those of you who haven’t read my Michfest blogs before and who have never been there are three stages at Fest. Day, Acoustic and Night Stage. Often times Day and Acoustic feel like the testing ground to see if you can make it up to Night State. Everyone comes to Night Stage on Opening Night. They might not come all the other nights, but Opening you can count on a full field; but I was ready.

For this big show I called in the big guns. I asked Micah Lee of BlackSnow to make my outfit. That was quite a feat considering that he measured me and then left Brooklyn and had to make it work without a fitting. He made it work! I was also so excited about my band and LAVA being in the mix. All the pieces came together. It was time.

Showtime!
I dressed backstage with everyone who was performing in the Opening Ceremonies. I can’t really describe to you how incredible this opening was. I was off the meat rack. This year was dedicated to the Goddess Artemis and the bows and arrows were not out! Amazon womyn were rising for real. There was a lot of bow and arrow drama, but the show-stopper came from Falcon, the women who is the real incarnation of Xena. For real yo! She came out to the edge of the stage, lit her arrowheads on fire and proceeded to shoot at three targets. The first two were not such a big deal because they were pretty much right in front of her, but really the were on fire so one slip up and someone is getting hit with a torch. But the real drama came with the last target, which was over people’s heads and way out in the field. So she shoots and you can hear people holding their breath. I swear the arrow disappeared in the sky and then landed on that damn target that was hella far away. Yes I said hella! I’m not good with feet and yards, but if I had to guesstimate I would say that target was at least 50-75 yards away. I do know football so I’m thinking half a field or more. It was amazing. Then Julie Wolf, Aleah Long and Vicki Randle had the nerve so sing the mess out of “Calling All Angels” while the children and the elders came out in white and people were instructed to call on their angels who had passed. WHAT??!! There wasn’t a dry eye in the house. I was trying to keep in together cuz I had on a full face of make up. Crazy amazing! Whew!

After we all got our tissues, next up was Jill. Now let me back up and remind you that Ganessa, LaFrae and Alex are now playing part of her set and Alex was in 7th heaven. Alex is a big fan of Jill’s so it was like a dream for her, which was great! I love when things like that happen. They didn’t play Jill’s whole set, but they were a wonderful addition.

In between all this me and a few other folks are cracking glow sticks to give to the band and to LAVA for the stage. So as soon as Jill’s set was done we gave everyone in my set, lights and it was on.

The MC on Wednesday was Karen Williams. If you don’t know Karen you better get on it. She’s an amazing comedian and an all around great lady. So when it was time to get set Connie gave the LAVA ladies and me the signal. Jen who is another amazing crew woman came with us into the field. Yes people I am entering from the audience. Jen was holding my wireless mic because the ladies from LAVA were going to carry me in on my back.

Connie & LaFrae, photo by LaFrae Sci
We got out to the field, Karen and Cree (Gina Breedlove’s daughter) introduced me, LaFrae and Vicki started in with the beat of “BlaK Girls”, I stepped up on Sarah and Diana, Rose and Lollo had my back, Jen handed me the mic and…"MICHIGAN!!!!!!!!!" And the crowd goes wild. HA!!!

Grand Entrance by moonlight: photo by Nívea Castro

The crowd and my people: photo by Nívea Castro
LAVA walks in step up the ramp while I’m talking to the audience and the band on my back. I call for Alex to start the wha wha guitar, and soon the ladies slowly put me down on the cat walk. I’m still talking to the audience calling for all the Blak Girls. “One! Two! Three! Uh!” Bass drops! In the words of Mr. Cheeks “Lights, Camera, Action!” It was like that.

LAVA holding me up and holding me down!: photo by Abena Sharon Dale
The set list for the evening was:
1. Blak Girls (we did the original and the afrobeat mix)
2. Give it to me
3. Kelly Gets Off
4. Can’t Blame a Tree
5. Box
6. I Am American
7. In Your View
8. Gimme Shelter (Yes the Stones)
9. Encore: Go Head & Rise

photo by Nívea Castro
photo by Abena Sharon Dale

Photo by Abena Sharon Dale
Photo by Abena Sharon Dale
Photo by Abena Sharon Dale
Photo by Abena Sharon Dale
Photo by Abena Sharon Dale
There were so many great moments during the show. The audience singing “Kelly Gets Off” even though it was brand new to them, the people dancing during “I Am American” and “In Your View” which they had also not heard before. Me running down the catwalk and slapping people’s hands, getting to the end and this woman picking me up and hugging me! Yes it happened. The crazy solo on the keys by Julie Wolf on “In Your View.” The other crazy solo by Alex on “Can’t Blame a Tree.” LaFrae playing with one hand so she could take a photo of me on stage, the amazing signing by Cathleen Riddely. Wow! It was just amazing. All of it! To be able to sing to the night sky like that was nothing short of a blessing. I am so thankful. I am so thankful indeed.

LaFrae's one handed shot of me while drumming

The Ladies of blaKbüshe!


Ki Ki & Me


After the Party It’s the After Party
I exited the stage to the warm and somewhat overwhelming welcome of my sisters. That love on the other side from my colleagues and friends was neck in neck with the love from the audience. I’m surprised I didn’t cry, but as I sit here writing about it I am welling up a bit. Yes I’m sappy, but I love these women so much. It’s so sad that most of us only see each other once a year, but what a time we have.

My girl Tory and I had been talking for weeks about wine on the land so I was ready for my drink. She got a bottle of white out of her tent, I got a few cups and we all celebrated. That night after the late night meal some of the ladies sat at one of the tables and sang songs to Eshu, Oshun & Yemaya under the stars.

Post Show Glow (You see I have my wine bottle in hand): Photo by Nívea Castro
I took a while for me to come down, but I eventually slept that night. I had the whole week in front of me, but my most important job was done. It was hands down one of the best nights of my life and I’ve been here a while folks. LOL.

Thank You!

I have to say thank you to so many folks who made that show possible and helped out in some way. So thank you to:


The ladies contingent of blaKbüshe!:
LaFrae Sci (drums), Ganessa James (bass), Alex Nolan (guitar), Ki Ki Hawkins (vocals), Achuziam Maha (vocals), Vicki Randle (percussion), Julie Wolf (keys) and Cahtleen Riddley (hands).

Achuziam Maha-Sanchez: Photo By Nívea Castro
Alex Nolan: Photo By Nívea Castro
Cathleen Riddley: Photo By Nívea Castro
Ganessa James: Photo By Nívea Castro
Julie Wolf: Photo By Nívea Castro
Ki Ki Hawkins: Photo By Nívea Castro
LaFrae Sci: Photo By Nívea Castro
Vicki Randle: Photo By Nívea Castro
LAVA:
Sarah East Johnson, Diana Y Greiner, Rose Calucchia and Lollo Romansky

And of course:
Terri Lynn Delk, Toshi Reagon, Tory Trujillo, Laura Vogel, Shalonda Ingram and our fearless Michfest leader Lisa Vogel! Yes and Yes!

Photo by Abena Sharon Dale
P.F. (Post Fest)
Since returning from the festival it has been quite a whirlwind. The plan was to come back and prepare to record my CD, but when I returned my doctor put me on vocal rest until at least the end of September and then I have to evaluate from there. In short I had been singing on very swollen vocal chords for a while. Even though I had a great show at Michfest, I knew something was wrong because I didn’t have a voice for a week after my show. When I tell folks about this some people gasp, but I am glad to be finding out what is going on. If I just have to shut up for a while so I can come out better on the other side then so be it.

Thank you for your ever-present love and support of me and my music. It means so much. You can still be a part of making the album happen. Yes we are still in donation mode. Just go to my website to contribute (www.blakbushe.com) and I thank you for any donation you can give. So as soon as the doc gives me the green light, I can get myself in the studio and cut the new project. Yes!

Photo By Nívea Castro

Can a Girl Catch a Break?
New Album Campaign Continues
Album to be Produced by Toshi Reagon